2025 <(Shape)(Shifter)>, 10ⁿ Sewoon Plaza, Seoul
2025 <Pitching>, Mockcamp, Seoul

Kim Nayoung explores fluid and invisible identities shaped within social norms and institutional structures. The work visualizes unseen forms of existence through repeated processes of combining, covering, and scraping away painting and sculpture. Through the dismantling, destruction, and reassembly of structural elements, it investigates the conditions and specific contexts under which identity becomes visible within the framework of Korean society.

2025 <After Projection> Halfsister, Berlin
2025 <A trap to live within>, New Fears Gallery, Berlin

Won’s practice begins from the unknowable: the ghostly and residual forces that disturb clarity. Working across moving image and installation, she investigates how what is buried or forgotten continues to structure the visible world, folding the spiritual, the political, and the ethical into a single fragile terrain.

2025 <0%>, Sungkyun Gallery
2025 Indie Film <Truth or Fish>, Costume Design

Park Jiwan creates sensory structures by combining discarded clothing and fragmented materials with hand-stitching and traditional Korean craft techniques. Working with the temporality of aged fabrics and the repetition of handwork, the practice revives unseen emotions and traces that linger close to the body. Through the materiality of garments and craft-based detail, the work captures subtle perceptual shifts and expands them into a sculptural language shaped by the body and space.

2024 <On the Other Hand>, Depthend2 Gallery
2023 <Conversations with Ninety-Nine Children>, TINC

In studying architecture, I gravitate toward works and design approaches that extend beyond realizable architectural forms. I build and explore through the language of architecture and the territories that touch it. Through acts of social imagination, I rework established architectural logics and pursue sculptural experiments that expose the tensions and limits of structure and material.

2025 <Universally Valid Forest>, From Gungdong Neighborhood Park to Platform Pampa
2024 <Universally Valid Animals>, Peace·Culture·Bunker 2F Creation Building

SimLee Daeun follows the sounds of beings that endure on this land, questioning what is taken as universal. Through research-based creative practice, the work traces and records the disappearing presences within the ecological networks that shape our world. Field trips across various sites in Korea allow for the gathering of sound-centered ecological materials, which are shared through exhibitions, performances, and workshops. These efforts focus on sensing the rhythms of a world unfolding beyond human perception, and on cultivating a gentleness in how we attend to them.

2025 <Young Korean Artists>, MMCA Korea
2024 <Undo Effect>, Hite Collection

Hanna Cho (b. 1997) is an artist and documentary director based in Seoul. She has made three short documentaries: I Only Had to Say (2018), Queen's Crochet (2023), and Track_ing (2024). She has also held exhibitions, including Undo Effect (Hite Collection, 2024) and 2025 Young Korean Artist (MMCA Korea, 2025).

2025 <Hapjeong-dong Techno>, Vurt, Seoul
2024 <Dwelling>, Hopscotch readingroom, Berlin

Heo Jayong (b.2001) studies art and film, with a focus on the invisible mechanisms that precede speech and movement. The practice examines how these utterances interact with space and circumstance, and what new events emerge through that interaction. Recent work is grounded in recording what is disappearing. There is an ongoing curiosity about how developing technologies alter our perception of materiality, and, paradoxically, what cannot be restored—what becomes revealed, and what slips away.

2025 <First, I Should State That I Came Here to Receive Medication>, Sinchon Theatre
2025 <Harmony Practice>, TINC

Jipdan is a scenography collective of three artists who design sets, lighting, sound, and video for theatre and also develop original performances. United by a shared exploration of spatial language, we move together toward creating new moments and encounters.

2024 <How to Fix a Ghost in a Theatre Horizon Coordinate System>, Sinchon Theatre
2024 <Shut Up Womb>, Seoul Arts Center, Jayu Theatre

Lee Yura is an actor and performer whose work is grounded in bodily impulse and sensation. Believing that the body thinks first and breath leads emotion, the practice seeks an existential mode of performance that immerses in subtle tremors and interior movements rather than technical display. Each work becomes an exploration of the new bodily states that arise here and now, and a process of recording those sensory shifts in real time on stage.